Henry Harris

Henry HarrisSongwriting, playwriting, screenwriting, journal writing, writing of poetry, writing of prose, tagging, drawing, uppercase, lowercase. I’ve tried them. Slave to all in principle, master of none in purpose. Until, perhaps… Fashioned by many hands, I carry a writer’s gene.

FROM I AM RIDING – © – 2009

In his kindest way, as I was a high-schooler fancying a career in professional baseball, my father, who had an innate comprehension of the game and in later years could often be seen with the Baseball Encyclopedia tucked under his arm (he who had indeed lingered in major league dugouts enough to witness, among other things, the bitter phenomenon that left many ballplayers broke and education-less at the end of their careers – bumpkins swindled by agents, lawyers, wives along the way), tendered these exact words of vigilant concern to me: “You have to understand how awfully hard they hit the ball up there.”   I didn’t know how solemnly he meant his cautionary admonition at the time, but now present existed a disconnect.  I was indeed not one of the ‘they’, one of these guys I was chumming around with on this evening who hit the ball as hard as my father suggested.   I was not going to be a professional ballplayer, never mind my ridiculously advanced age of thirty-eight at the time, and I am overtaken by a sour feeling thwarting any innate suspicion or residual desire that I could still attain this goal.  Until now, this dream had lived in me at a cellular level, an internal feeling never without, through all my transitions, through my ages.  The Elysian Fields beckoned in the exact same way that they did when I was a young boy.  A young boy unafraid to give up my body, throw myself hardscrabble at the sheen of oil and rock on the playground surface of Wightman School in Pittsburgh, Pennsylvania and on the asphalt and concrete surfaces in front of and nearby our various homes in California, Indiana and Arizona, and on innumerable dirt and grass baseball fields since.

Marina Muhlfriedel

Marina Muhlfriedel

Marina Muhlfriedel is a Los Angeles native who has written professionally in a broad range of mediums. Her career was launched by simultaneously serving as the Entertainment Editor of ‘TEEN Magazine, and as a songwriter and keyboardist first in the early female punk/pop band, Backstage Pass, and soon after, in the 80’s band, Vivabeat. Since veering into the film industry, she has written and doctored both produced and un-produced screenplays, all the while continuing to publish magazine, newspaper, and online articles, and work as a copywriter and book editor. Muhlfriedel’s first love however, has always been prose.  She is dedicated to writing short stories and long form that project her unique sense of the magical interconnectedness of life.  She has a degree in journalism from U.S.C. and has taught both creative writing and screenwriting in the U.S. and the U.K. and is currently working on her first novel.

EXCERPT 1

 

On the day the Pope rolled into town, my mother shoved her spiked red heels to the back of a closet and dug her finest amethyst rosary from the bottom of her jewel box.The movie theater swapped the week’s martial arts and romantic fare for special screenings of the “Ten Commandments” and “Ben Hur”.Dusty streets were swept spotless and decorated with flags and ribbons. The seven bars along the main street locked their doors and the drunks who normally loitered outside were put on a bus and carried to the next village.

The day the Pope rolled into town was precisely a month before my 16th birthday.It was the day on which I had long planned to forsake being a mere child and, with a magical possibility, finally become a woman.

Since I was small, Fat Auntie had taught me that everyone is given the gift of two magical possibilities to do with as they please in the course of their lives.“They may be utilized while one is still a child, when one is very old, or anywhere in between,” she often explained.

“Magical possibilities,” she would say with great authority, “are not genie wishes. They are the urging of life in a specific direction, when we truly need it to be so.”She would gaze deeply into my eyes, raise her thick uneven brows and warn that as soon as magic is committed to, it becomes part of you and may not, for any reason, be compromised. Launched in a trajectory, the initiator is solely and entirely accountable for all it might bring into the world. Such was the issue of my virginity.

EXCERPT 2

On the morning of the day that the Pope rolled into town, Fat Auntie knocked on my door.I quickly hid the turquoise candlesticks beneath my bed and pulled on a thin slip as she let herself in.

“The Pope is nearly here,” she said.“Dress now; your mother and father want to leave for the square.” She looked at me, then cocked her head.She sniffed the air for magic, but couldn’t quite find it.Her glance ricocheted from wall to wall, but nothing betrayed me.

As she left, I pulled a flowing yellow gown over my head, slipped into white dancing shoes and stopped at the door before leaving, communing one final time as a girl with my private chamber.I skipped out into a world that was focused that day, only on the Pope.

It looked like Easter.Neighbors poured from every doorway dressed in their finest, carrying rosaries, flowers and babies.Some held pets: dogs, cats, birds and ferrets. My parents, brothers, auntie and I made our way to Main Street and joined the exuberant crowd on the side of the road.People had come from all over the mountain and there were so many, I could hardly see.The heat from their close bodies intensified the blazing sun.I shut my eyes for a second or two and let their chatter and sway hold and carry me. All I could see in the darkness behind my eyelids was the shared flame of The Boy and my candles.

I opened my eyes and slipped away from my family, edging to the back of the noisy crowd.I looked for a step in a stairwell, anywhere for a bit more air and a better view. I could see my mother look around for me and I moved faster to get away. I knew she wouldn’t risk missing the Pope by searching for me.Auntie kept her gaze ahead of her.I thought that perhaps she sensed my escape and decided not to interfere.

I squeezed between the people and buildings, desperate to find a place to stand where I wouldn’t feel like I was being crushed.The next street I came to still had people flowing down it, but I was able make my way in the opposite direction, up the small hill that I figured I could look out from.Slowly, I walked backwards, keeping my eyes on the street, not wanting to miss the Pope’s big ride into the square.

Then I heard it — the small, airy scroll of a wooden flute.I didn’t need to turn around.It was the teasing, defiant melody that The Boy always played.He was there and I was backing my way towards him, drawn in, note-by-note.

Arianna Schioldager

Arianna SchioldagerArianna wrote her first letter to Santa Claus at the age of four.  She has not stopped writing since.  She graduated from UC Berkeley with B.A. in English and currently lives and writes in Los Angeles.

EXCERPT 1

The Charming Mr. Sidwell

Mr. Sidwell had an odd propensity for anthropomorphism, zoomorphism, any phism- it made him fizzle.  Take for example, his china tea cup, whose flower details twisted up like a mustache, reminding him of his father, who was sturdy but delicate- a complicated man with a firm belief in the Marxist truth that the binding facet of this modernized world, was that at our core, resided radically contradictory natures.  Though Mr. Sidwell never could understand much about his father, this theory he knew true, as he felt that he was, at his own core, radically contradictory; defunct, perverted, and still a thoughtful man of science and theory.   For besides science, theory, fables ridden with anthropomorphic detail, he had, on the contrary, an odd propensity for small children. He engaged them in long conversation, like little Caroline, who currently sat on the sofa across from the older man.

“When two people talk to each other, it is either to death, or they yearn for a third,” he began, “It is truly just this simple.”

He gazed upon his adoring subject, following his every word.

“No two people make a shape,” he continued, “think of this, two straight lines, they can not make anything other than other lines.”

“What about if you bend them in half,” she inquired, more of a thoughtful statement than a question.

“I said straight” he replied thoughtless and quickly. “The semantics are very particular.”

Caroline bobbed her head in an apologetic “I’m sorry sir” motion.

He continued, “Now if two people cannot create a whole, a full shape, a full entity, then what they are searching for, is that third.”

“Or death!” she chimed in.

“Yes, that is right,” he acknowledged, smiling, “or death.”

“But what of a circle?” she was intrigued now, though only a child of seven, she knew there was something magical within him, within these theories, and the contemplative tea parties he arranged for them.

“Well, a circle,” he took a long, dark sip from his tea cup, his mustache long enough that it dangled down around the rim meshing with the flowered mustache of his father,  “has no beginning and no end- a circle,” he placed the tea cup down, “is one person.”

“And yet,” she excitedly stammered out, brimming with the belief that she had found the hole in his circle, “a circle is complete!”

EXCERPT 2

She blushed at the word damn.  It turned her cheeks hot and red.

“So then what of marriage?” she managed to wrangle out; she didn’t want him to think that she had not been listening.

“What of it?” he asked.

“That is a pair.”

“A pair indeed, only completed by the third, the child.”   He smiled at her.  “You are the completion of a pair, my child.”

This did not satisfy her.

“But people with children fail too, and are parents only meant to have one child, what of brothers and sisters?”

“I have not denied that human beings are tragically flawed, this great fact… I too am tragically flawed,” which as he announced he reached across the table and placed his hand on her lap.

“I only buy houses on the odd side of the street,” he continued, his hand moving slowly towards the lace along her hem, “which is how I came to live next to you.”

She knew here was the moment in which she needed to distract him, and she loved their conversation, the tea, he treated her as though an adult and wise.

“But what if you love a house with an even number?” she shouted.

He smiled larger, “Well then I don’t love it.” His hand had disappeared.

“Well then what of ZERO!” she projected fully, her whole body, it exploded from her, from a place she could not name.

His hand reappeared to scratch his head. This had worked.

“Ahh my child,” he poured himself more tea, until the last droplet plopped from the bed of tealeaves into his cup.

Glenn Berenbeim

Glenn Berenbeim wrote the book for “Imagine This,” a musical that opened in London’s West End in 2008, and was televised nationally on PBS in April 2010. Glenn was Co-Executive Producer/Writer for the CBS series, Touched by an Angel.  Previous television work includes NBC’s A Different World, as well as development for several original dramas.  He wrote documentaries for PBS, including the Emmy award-winning series Gardens of the World With Audrey Hepburn. Currently he is writing a play based on the unlikely but true encounter between the reclusive American artist Georgia O’Keeffe and the young photographer she invited to be her companion. His new feature film script, “Chet Baker Lives,” is based on the life of the legendary jazz musician.

A graduate of Harvard College, Glenn was awarded a Henry Russell Shaw Traveling Fellowship to study theatre in Europe.

Jeffrey Kamin

Jeffrey KaminI was born and raised in Los Angeles and spent many happy childhood years far removed from the stereotypical Hollywood scene that has become synonymous with the city to people who have never actually set foot within its limits.  I went up the California coast about a hundred miles for college at UCSB where I earned my degree in Business and Accounting, while also studying a great deal of philosophy.  I have worked both full and part time for a West Los Angeles accounting firm for the past five years and spend my off time writing and drawing.  I particularly like writing humor and poetry and am currently working on my first novel, a science fiction adventure story.  As far as drawing is concerned, I suppose one could classify my style as surrealist in a sense although I also immensely enjoy drawing cartoons.  I am honored to be part of the Wimpole Writers.

From the Science fiction novel I’m working on Titled “Under the Shadow”

He didn’t think about it that much now, not as individual thoughts clouding his mind anyway. It was more of just a state of being, constantly aware of the lack of something wonderful. He didn’t like to talk about it, that was for sure, especially not with his mom, and so he kept his pictures, his cards and the other reminders a secret, not willing to share this part of himself with another, lest it cease to be his and he lose his dad forever. It was always as the dim dusk light swirled about him, whispering to him of the coming night, that he remembered what it had been like to have, and now what it was like to not.  Though he could never quite put it into words, he knew what his house was missing, and without it, just an empty cavity, a place to eat and read and rest his head, the sublime loveliness of home.

Shirley Sacks

DSC03344Shirley Sacks is an artist and writer. Born in South Africa where she obtained a  Fine Arts degree from The University of the Witwatersrand, she has lived in London and now lives in Los Angeles. She is a creative package; she writes, paints, photographs, knits, makes jewelery, decorates ceilings and floors. She writes about her life in rhyming couplets, writes short stories, novels, screen plays, worked as an advertising copywriter, had a gossip and food and wine column in South Africa. Her art work hangs in homes in South Africa, London and America and can be seen at: http://www.projekt30.com/ and www.selfportrait.net.

Coming soon!

J.P. Lanham

J.P. LanhamJ.P. Lanham writes essays on human beings being human, theater based on a similar theme and humor aimed at keeping it all in balance. His blog can be found at http://smellingsalts-jpl.blogspot.com/

In another life he co-founded technology start-ups and helped bring groundbreaking products to market including award winning interactive educational software, the internet’s first virtual customer service representatives and DNA testing services.

Mr. Lanham lives in Los Angeles, or as he likes to call it, “The land where nothing is as nature intended”.

CNN admitted today that Larry King has been dead since 1997 and that the network has been using a hologram developed at Industrial Light and Magic to keep the show running for the past 12 years. In a prepared statement, CNN executives said they are truly sorry if anyone is offended by the idea company has been using a computer generated simulation of Mr. King but given it’s so obvious the show has nothing to do with hard news or even pretends to ask tough questions, viewers were getting a consistently entertaining product that might have suffered greatly had Mr. King continued to live and suffer the effects of old age including memory loss, incontinence and sudden outbursts for a Nate and Al’s menu.  Immediately after the broadcast a  Guatemalan taxi driver in New York ran over what he mistook to be Lou Dobbs in digital form.

With the 2000′s now kaput, I’d like to suggest the first great technology innovation for the new decade: a button on the TV remote that kills the crawl at the bottom screen.  How many times in a five minute span do I need to know Tiger Woods has his head up his golf bag, a truck load of three legged goats has taken flight off a cliff in Afghanistan or Suck State has beaten the College of Cretins 33-22? The crawl should be an option not unlike closed captioning. You want it, you get it. You don’t want it, you kill it.  Write your Senator or Representative. Tell them the crawl causes autism. Lie. They’ll understand.